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The return of live music after the past two years has been emotional, to say the least. Things may not be how they were before, with the mask protocols and COVID-19 vaccine or test requirements, but slowly, thankfully, the live music industry has been bouncing back.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Throughout the canon of modern music history, there are certain legendary years that stand out among the rest. I am not talking about the years that functionally changed music, such as 1964 which both debuted the Moog synthesizer and had Bob Dylan go electric. Nor am I talking about the years that symbolically changed music, like in 1959 on “the day the music died” as Buddy Holly, Ritchie Valens and J. P. "The Big Bopper'' Richardson's plane crashed in an Iowan field. What I am discussing is something much sweeter and much less tragic: the years where music flourished. These are the years where good music – really good music – was like wine in that place where wine flows like water. These are the 1969s, the 1991s and the 2003s where for one reason or another, every major artist just happened to decide all within the same year to release groundbreaking work. These are years that future music enthusiasts look back at longingly, chin notched in palms, and say, “I wish I were there for that.” During these moments, music history was made every other Friday. And I, humble Collegian columnist and “wish I were there for that” music-enthusiast, declare that 2021 was such a year.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
This year marks the 50th anniversary of Marvin Gaye’s “What’s Going On.” Released in 1971, “What’s Going On” is Marvin Gaye’s 11th studio album and marks a reinvention for Gaye, from the Motown sound that initially made him popular to the soul and introspective lyrics that he is now so well known for. With seamless transitions described as a “song cycle,” “What’s Going On” is characterized by its psychedelic soul, smooth jazz and funky arrangements that would later give rise to the subgenre's quiet storm and neo-soul.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
SOPHIE seemed to begin as an enigma, and only slowly did she reveal herself to us. Over the past half-decade or so, she rose in popularity to the point where she worked with some of the biggest and most inventive artists working today including Charli XCX, Nicki Minaj, Vince Staples and Madonna.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
A Spiders baseball cap. A bowtie. A cello on standby.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
