Film Fridays | '8 Mile:' Eminem’s search for a ride to work
Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
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Editor's Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian. This article contains spoilers.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian. This article contains spoilers.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian. This article contains spoilers.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: This review contains spoilers. The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s note: This review contains spoilers.
I’m no movie expert, but I know this much: When it comes to making a film about a national tragedy that robbed nearly 3,000 people of their lives, spawned wars, shaped both foreign and domestic policy for years and still looms as a vindictive colossus over the memories of millions, one must take special care.
“Interstellar” is a new film from director Christopher Nolan starring Matthew McConaughey, Anne Hathaway and Jessica Chastain; a five-star movie in my opinion. The film is a crowning achievement in the sci-fi genre, but one that falls just short of masterpiece status. “Interstellar” deals with such gigantic ideas such as our place in the cosmos, while also contemplating the meaning of human life when our planet cannot sustain us anymore.
"Everybody on the mainland thinks that because I live in Hawaii, I live in Paradise ... Are they insane?"
Since this will probably be the last movie review I write for "The Collegian," I'm deliriously relieved that I get to tell you about a very good film. I'm talking, of course, about "50/50."
I'm starting to wonder if Hollywood film reviewers are being paid to say that movies this year are decent when they're actually so boring it's almost criminal that someone funded the making of them. Or maybe these critics are seeing director's cut versions of the films, since most reviewers watch films together in separate theaters from the general public. Either way, "Moneyball" is god-awfully boring and anyone who says differently is probably a fan of Major League Baseball.
The movie "Drive" follows a character who is based on a superman-type persona, barely speaks and is also as awkward as Ryan Gosling's character in "Lars and the Real Girl." Sure, he's a stoic superhero with a secret identity but he's also awkward, makes strange decisions and gets involved with really obvious crime kingpins. And instead of flying faster than a speeding bullet and leaping tall buildings, his superpowers include driving getaway cars and invisibility.
Do not touch your face while you read this. Seriously. You're doing it now, aren't you? Well, congratulations. You're going to die of pig-bat flu and then coroners are going to find green sludge in your brain during your autopsy and everyone you have ever stared at is going to die too. Are you proud of yourself?