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The return of live music after the past two years has been emotional, to say the least. Things may not be how they were before, with the mask protocols and COVID-19 vaccine or test requirements, but slowly, thankfully, the live music industry has been bouncing back.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
The views and opinions expressed in this article do not reflect those of The Collegian.
Editor's note: The views and opinions expressed in this article do not reflect those of The Collegian.
In the past few months, you may have seen some kind of advertisement for a new animated show from Amazon. If you’re anything like me, you likely skipped through the ads and passed it off as something to ignore. But let me assure you, “The Legend of Vox Machina,” the latest animated show from Amazon Prime Video, is a series you definitely don’t want to miss.
The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
How would the world react if a comet was going to destroy Earth in six months and 14 days? That is the question explored in “Don’t Look Up,” an Oscar-nominated film written and directed by Adam McKay that premiered on Netflix in December.
Editor's note: The movie contains depictions of childhood sexual abuse and incest. Confidential sexual assault resources for UR students include CARE Advocates, which can be reached at advocate@richmond.edu or 804.801.6251; Peer Sexual Misconduct Advisors (PSMA), at psma@richmond.edu or 804.346.7674; CAPS, at CAPS@richmond.edu or 804.289.8119; Virginia LGBTQ Partner Abuse and Sexual Assault Helpline (24/7), at 866.356.6998; Greater Richmond Regional Hotline (24/7), at 804.612.6126; National Sexual Assault Hotline (24/7) at 800.656.HOPE.
The views and opinions expressed in this article do not reflect those of The Collegian.
The views and opinions expressed in this article do not reflect those of The Collegian.
Throughout the canon of modern music history, there are certain legendary years that stand out among the rest. I am not talking about the years that functionally changed music, such as 1964 which both debuted the Moog synthesizer and had Bob Dylan go electric. Nor am I talking about the years that symbolically changed music, like in 1959 on “the day the music died” as Buddy Holly, Ritchie Valens and J. P. "The Big Bopper'' Richardson's plane crashed in an Iowan field. What I am discussing is something much sweeter and much less tragic: the years where music flourished. These are the years where good music – really good music – was like wine in that place where wine flows like water. These are the 1969s, the 1991s and the 2003s where for one reason or another, every major artist just happened to decide all within the same year to release groundbreaking work. These are years that future music enthusiasts look back at longingly, chin notched in palms, and say, “I wish I were there for that.” During these moments, music history was made every other Friday. And I, humble Collegian columnist and “wish I were there for that” music-enthusiast, declare that 2021 was such a year.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
Editor’s Note: The views and opinions expressed in this article do not reflect those of The Collegian.
